It doesn’t help, of course, that I’m listening to The Cure and the song Alone. As the first phrase goes, “This is the end of every song that I sing…” as the grandiose and melancholy orchestration echoes and Robert Smith’s voice yearning each plaintive line, I’m trapped in this world the Cure have created, tears on the edge of my eyes. In this sonic world, the music demands that you listen as the drum beats hard against skins (or electronic matter) and the strangely urgent and poignant lyrics weave the story of our collective end.
I’m caught up in the madness of this world as Smith shapes the words in such a way that we recognize through his language that we are at an end. “We were always sure that we would never change,” he cries, bringing us to a question that resonates in our hearts and minds: “Where did it go (where did it go)?” I’m both mesmerized and horrified at once, and in this moment, I feel every single choice gone wrong, decision made in haste and anger, thrown at me. The tears flow as the song touches a place in my heart that weeps for my lost self, my understanding that despite all of my best efforts, it’s all just going to be gone. Gone. Gone. Gate Gate Paragate parasamgate bodhisvaha.
The song cut me deep on this night, and I looked back on the year as my father’s death anniversary is coming in a week. Sadness grips me on this night, and in the full moon of this evening, a clear sky shone resplendent in a night sky filled with stars in a New Mexico sky. I’m lost in these moments, and worldly things cannot bring me back from the edge.
resonance within a lost world
I have no words, in reality, to describe what I am feeling. As Robert Smith has shown me, it is an ache of massive proportions, a crushing blow to my fragile ego, imagining that I can overcome this feeling in this moment. The truth is, I cannot. There is no escape from this feeling, in fact. While it may ebb and flow, I am caught up in it.
I’m thrown back into my parents’ bedroom, one year ago. My Dad is lying on the bed, barely able to move, still mentally awake and aware. He’s thirsty and cannot slake his thirst. He is hungry and cannot find succor. He moves as he can, and I reach under his back and gently sit him up. Moments later, he’s lying again.
That week of my life just before his passing was incredibly beautiful and horribly sad.
“Where did it go (where did it go)?”
I took refuge today (again) and felt revived until I didn’t. Like my father, I lay in bed (metaphorically).
With all of these thoughts rattling through my mind, I sit. Meditation does not come easy and I cannot settle as I usually can. I’m distracted. So, I lean in. I wait. The release doesn’t come, and so rather than forcing it, I let go of the intention to release and instead try to open my heart to love. As soon as I do, past trauma fills the space, and while I can freely give love, I am not able to receive it. The trap of wanting to love and not being able to love is a excrutiating place to be. “Where did it go (where did it go)?”
In a few weeks, I’m headed to Bhutan to see my friend Namgay and to breathe in the rich air of that place. The vibe is incredible if you’re open to receiving it. At the same time, I’m having a hard time tapping into those past memories and experiences. I remember, rationally, the feeling, and I cannot feel it today. I reach for it in all kinds of ways, the photograph I took when I walked across the tarmac on my second trip. I literally cried tears of joy. “Where did it go (where did it go)?”
Blocking me are the demands of daily life; work and an MSW occupy almost all of my time, and with everything raging in my mind, I’m like the elephant stomping through the forest, unable to rein in my crazy thoughts.
Lest, dear reader, you think this moment is bereft of any joy, worry not. I bring to you moments from sunset in the Bosque last night. The cold air, my nearly frozen hands, walking in shorts (yeah, I know), I found something in the moon rise and sunset. It’s there. Can you see it? It’s the beauty of this world. The mournful, beautiful ode to our tragic lives still echoes in my mind, and the beauty of the magical Albuquerque sky shakes me back into the walking world.
ever grasping at the sky, never reaching the goal
silence in the half light of evening
a glimmer of sunset
As long as these seconds of beauty exist, I will, ultimately, be OK.
As I walked through Ueno park, I couldn’t help but recall Basho’s journey through this same area, five hundred years before. The cherry blossoms were about a week from blooming and families spread tarps and blankets on the ground in anticipation of the event. Games of Go and drinking happened alongside laughter, and some bold, angry interjections that eventually spilled into laughter and tears. A young woman looked on both horrified and smiling as two men embraced in tears after a moment of fierce reaction.
Clouds of cherry blossoms! / Is that temple bell in Ueno/ or Asakusa? (Matsuo Basho)
The day was cloudy and a light rain sprinkled along the concrete pathways. As I passed the empty baseball field, children ran past me laughing hysterically and their mother demanding for some compliance. They ignored her calls and ran fearlessly into a huge crowd. Soon, they came back around with Mom exasperated at the brief trauma.
At times I raised my camera for a shot and then walked slowly through the stream of onlookers and people seeking their own bit of solace in the trees of the park. I was almost brought to tears seeing so many emotions on display, and especially feeling the laughter of adults and children, not so far separated in their common state of joy.
I was drawn into a museum, pulled by something beyond this mundane experience. I walked to the kiosk and purchased a ticket for a special exhibition called Does The Future Sleep Here? The silence of the museum invited contemplation and a brief jaunt down the stairs into the exhibition immediately swept me up in a moment of quiet reflection as I was struck by the intaglio prints of Nakabayashi Tadayoshi. The effect of these images was melancholy and I felt drawn into the artwork. The series shows a detailed image of flowers wrapped in a ribbon and progressively ending in a final panel of an ink blot on paper. The disappearance of the image into ink on paper represented to me the dissolution of ego and expectation.
Does the future sleep here?
I struggled with a load of expectations about traveling to Japan even though I promised myself I would absolutely NOT grasp onto the experience. And yet here I was trampled by my own mind and wandering through an exhibition a bit unmoored as I wasn’t sure exactly what I was doing here. To say I was led into the exhibition might feel a bit ridiculous from my rational, thinking mind, and the fact that I ended up HERE rather than THERE spoke to me.
A representation of Nakabayashi’s work
As I reflected on this one choice, this one moment in time, it’s was easy to dismiss the choice as a simple binary; yes or no, zero or one; forward or backward. The pull away from the spiritual to the rational is strong in all of us and I too wrestle with these ideas. My Buddhist training tells me to question; to see but not label; to hear but not question. As soon as we place a label or feeling on a anything that comes through sense, our mind begins the process of dualism; separating what we see and hear, etc into discreet ideas and images. In that moment, we are grasping and our mind gets carried away into a whole series of thoughts, feelings, and emotions built around something that is just an object. An object, any object, has no inherent meaning unless we apply some meaning to it. Here I was, at the beginning of an art exhibition, creating a whole story about why I entered the building what I was seeing, and how what I was seeing related directly to me. I immediately put ME at the center of the exhibition. It was, in essence, about ME.
Of course, my critical mind kicked in and I realized that while the exhibition wasn’t about me, it spoke to me. Yeah, I get it. There really is no ME in this scenario and I’m forming ideas based on experiences and thoughts collected over a lifetime. These collected notions I assembled into a form of meaning as I walked into the exhibition and formed into a coherent narrative of something along the lines of “I’m experiencing an exhibition that is speaking to me and that helps me understand where I am spiritually, thoughtfully, and emotionally.” Almost immediately the narrative emerged in my mind in moments after walking into the exhibition hall and seeing these prints in front of me. I was in awe of the skill and vision of this artist and was emotionally drawn into the images and the feelings of these prints. The experience was magical in a very real sense of feeling a resonance with the artist and the artist’s work.
Of course, I don’t know Tadayoshi or his intentions. I do know what my experience of his art was and his art shaped my thoughts. I guess that’s what art is all about, isn’t it?
As I felt through all of these competing ideas and emotions, I continued through the exhibition, now drawn into the idea that these artists and the artwork they presented were some kind of representation of my ideas. In each gallery some art resonated more or less. I was completely caught up in the feelings I expereinced as I met each of these artists through their artwork. As I walked out of the exhibition and into a room with vending machines, I grabbed a green tea and sat in this small room drinking the cold tea from a plastic bottle and thinking about the experience. Soon, I walked upstairs to the gift shop and purchased the exhibiiton catalog written entirely in Japanese with the forceful idea that I would read this book in its entirety. Maybe it would take me years, and I would start as soon as I got home. (…and I have…)
Walking out of the museum back into the mass of humanity filling Ueno Park at around noon, I moved more deliberately, slowly bringing together the various thoughts in my mind as I stayed with the feelings that arose. At that moment, I thought back toNarrow Road to the Interiorby Matsuo Basho. Basho’s travels through Japan and his haiku that punctuated his journey came to me in a rush. As I walked through Ueno I thought about his journals again and his brief remarks about cherry blossoms in Ueno. More specifically, I thought about his play on words in the journal’s title, “Narrow Road to the Interior” meaning the interior of Japan and into his interior = his mind. Captured by that idea, I delved into what I had seen and experienced and how those images were stirring me into deep thought about my journey, here, in Tokyo.
The first cherry blossoms in Ueno, March 2024
You see, nothing went the way I planned. I found myself wondering at what I was missing and where I needed to adjust. As Basho’s journey came to mind, I let go of the expectations about what I orginally planned and paid attention to what was in front of me. In his Knapsack Notebook, Basho commented, “The first task for each artist is to overcome the barbarian or animal heart and mind, to become one with nature.” (65) The bustling streets, the people sitting against a wall looking into their hands, a mom and baby strolling along the street, in a hurry for something, and me, seeing it all pass me by. Finally, I settled into an idea I read in Basho – it’s really not about the destination. I didn’t need to go looking for something; it would find me.
From what tree’s / blossoming, I do not know / but oh, its sweet scent! (Basho 101)
As I opened up for a different kind of experience, those moments unfolded in a myriad of ways. I stopped trying so hard to do something and just walked. Actually a better way to describe it is that I wandered. Not lost and not in a direction toward something…of course, I wasn’t headed into a wall or anything…I was walking around, generally in the direction of Asakusa. Moments came and went as I walked past shops and alleys, people of various types and in various styles. I took few photographs, even with camera in hand. It was just me walking. I felt like I was on the narrow road to the interior and in this case, into a kind of walking meditation. The light rain finally stopped, and a cold wind blew from the west, and soon I was cold. The cold roused me from some kind of stillness and I thought about eating some hot ramen. As that feeling rose in me, I decided to make my way to a private booth at Ichiran. All of my noisy thoughts stilled, I realized exactly what I was experiencing: a beautiful day.